

Yes, of course it doesn't 'sound' better, as in tone color. I can see many uses for TR since it sounds and behaves very musical, from subtle to extreme. Who the f*** in their right mind would use a TD in mastering? I sure will!Īside from having a clearly superior sounding algorithm, being more tweakable is precisely why I think the Transreckon is a lot better than the UAD/SPL and the herd. but stumbling across the Transreckon and trying it out in my actual clients' work blew me away, especially on the mixbus and even for mastering applications. The UAD is fine for subtle enhancements, drum snap, pick attack, the usual, etc. I used to stray away from TDs because I never found one that worked for me, didn't make me cringe at all the unwanted artifacts, falling apart at extreme or even mild settings in some cases. I clearly stated it was my opinion- it blows away everything I have personally tried. Just watching the official demo video is enough to convince anyone how insanely impressive this plugin is. Until you are able to do that, its just another TD with a few added features.Dirtbird, opinion is not fallacy. If we need to post clips, so you can have a crack at consistently picking out transreck, we can do that. The Waves version needs a bit more study, but it will deliver a satisfactory end result. The Recon GUI is a bit more fun for sure. Transreck allows a bit more control and has a couple of extra features, but sound wise, its no better than the UAD plug. It doesnt "blow them all away" Thats just total fallacy. I have UADs SPL, Transient Monster, TransX, and Transreckon.
